Who owns wgbh

Susan L. Robert Kempf. Evie L. Winifred Lenihan. James Levy. Shane Miner. Suzanne Zellner. Our Boards. Board of Trustees. Community Advisory Board. Board of Advisors. Ann M. Henry P. Becton, Jr. Marcia W.

Lynn Bay Dayton. Cathy E. Mohamad S. Brian H. Pam Y. Juan Enriquez. Susan G. Grace K. Benjamin A. Rosemarie Torres Johnson. Andrea E. Ann R. Paul W. William A. Richard K. Martha L. Elizabeth A.

Melinda Alliker Rabb. Jeffrey F. Carmichael S. Cynthia L. Belinda Termeer. William N. Thorndike, Jr. Stephen K. Lynn Perry Wooten. Deadline: Sunday, September 20, See nomination details.

Related Content. Boston Globe promotes Black, Latino editors in diversity effort. President of Boston Globe exits; no word on replacement. For decades to follow, television viewers across the nation tuned in to watch Child prepare meals in her inimitable style. WGBH's commitment to the French Chef series produced what became the station's hallmark program, but it was a piece of legislation passed in the s that enabled WGBH, as well as the other public broadcasting stations scattered throughout the country, not only to survive but to flourish.

The one glaring difference between commercial and public broadcasters was the enormous advantage held by commercial stations to collect revenue from advertisers.

Revenue from advertisers provided a wellspring of cash for commercial stations; public broadcasters, who were reliant exclusively on donations, struggled to stay afloat. Beyond the most obvious difference between the two breeds of broadcasters, non-commercial stations also suffered from a lack of support from among their own.

Commercial stations operated as part of networks, giving them the same sort of advantages a chain of retail stores enjoyed over independent, mom-and-pop stores. In the late s, national leaders sought to ameliorate both disadvantages endured by public broadcasters: those of funding and those of structure. The federal government first funded public broadcasting in through the Education Television Facilities Act in , but the U.

Congress realized the necessity of greater action. In , the Public Broadcasting Act was established, stipulating, according to the text of the legislation, that "a private corporation should be created to facilitate the development of public telecommunications and to afford maximum protection from extraneous interference and control.

Government," was incorporated the following year, marking the formation of the Corporation for Public Broadcasting CPB. Once matured, the CPB would fund more than 1, public television and radio stations nationwide, using an annual appropriation from the U.

More than any other public broadcasting affiliate, WGBH seized the opportunity available to it in the wake of the Public Broadcasting Act, occupying a singular spot in the realm of public broadcasting.

Public broadcasting was generally not associated with producing programming of sweeping national interest--the "hit shows" more readily associated with commercial, network television--but WGBH produced a series of widely popular favorites, belying the stereotype of a public broadcaster.

WGBH came to the fore in the s, a decade that saw the station fully exercise its skill as a producer of programming. WGBH's content, after the creation of CPB and PBS, could be shared nationwide with other public affiliates, but the station was also building its own collection of broadcasting properties, becoming a mini-network within a network.

Looking for some great shows to dig into this month? GBH Passport is where you should be looking. Phyllis answers the phone, and then runs through Nonnatus house to send Lucille off to a BBA born before arrival call.

Police officers investigate the murder of a boy whose diary implicates four couples. A princess steals the heart of the president of the United States in an eight-part drama.